Festival de Cannes Film Week. 今年戛纳的展映连续两天都因为局势影响没有看成好在《电影杏林春暖无删减》没有停映竟然是一场IMAX厅很爽尤其是音效和色彩的呈现都更加的完美这两点也是这部片子尤其喜欢的营造出一种古典美油画般的质感几场烛光、炉火旁的戏温暖且有层次的光线结合大特写火与两位女主角的眼眸结合在一起炽热缠绵的欲望、压抑着的抗争激情被淋漓尽致地描绘出来本片的特写镜头非常多无论固定机位的推镜头还是运动中的正反打跟拍这是一种直击心灵的手法画面仿佛在往我的心里钻也让观者有了更强的代入感总而言之是一部“好看”且余味很足的作品
2022/11/15 EP01, woke shit. EP02, Vincenzo Natali, average. EP03, director of The Empty Man, best in the show, not even close. EP04, between bad and average. EP05, about painting? Of course it’s Dorian Gray. Good, second best in the show. EP06, director of Thirteen, Lords of Dogtown, and fucking Twilight, then her career just vanished. Get your plot straight for fuck sick. Should stay dead. Worst in the show, even worse than the woke shit, plot wise. EP07, director of Mandy, pretentiously bad. EP08, director of The Babadook and The Nightingale, boring. Overall, high production value, low quality, 3/5.
Lots of déjà vu moments. 勉强打个五星并不能算完美但整体流畅三小时一下子就过去了群戏不错空间站为什么不掉下来每个人也都有足够的镜头展现人物弧线Chazelle没什么好挑剔的运镜调度都相当不错舞台设计更是优秀score运用自如与场景契合度高有Whiplash那味了今年表达对电影之爱的片子太多了各种鸡皮疙瘩瞬间是一个享受